I hope I've found some sort of medium between these poles, but I'll leave that to you to judge.Īnd one last note: it will more than likely take you longer to listen to this soundtrack than it will to read the book. Consequently, I find myself caught between expounding with an excess of familiarity and retreating into cryptic indirectness to avoid spoilers. Also, I'm keenly aware that although it seems to me (because I worked on it for so so long) that the characters in this situation in this have been around since the dawn of time, almost nobody reading this column will have already read it.
Sometimes the only person it will make sense to is me, but I hope you find the "soundtrack" entertaining. Sometimes the association between song and scene is one of mood, sometimes one of lyric, sometimes matching, sometimes in ironic opposition. I decided that I would select a period scene for each individual scene in the book.
#Beth orton central reservation zip how to#
Without the road map available to me in my first two Book Notes books, I wasn't sure how to proceed.
We'll take our chances and see what I come up with for 18. Well, that's the case for 1939, 1969, and 1999 at any rate. Although music doesn't run through these pages the way it did in my earlier books, I have many specific musical associations for those periods, and have a good idea what the characters in the story might have been listening to at the time. Two of the three prologues take place in 1879, and the third in 1909. The three main sections take place in the years 1939, 1969, and 1999. Displaced Persons, the Book that inspires these Notes, is concerned less with music and more with time-though of course you really can't have the former without the latter.ĭisplaced Persons is very rigidly constructed, divided into three 50-page chapters, and each of those chapters is divided into a 2-page prologue and a 48-page main section. This is my third entry for Book Notes my previous entries were for books I wrote- Stagger Lee and Gone to Amerikay-that were inspired by and dealt explicitly with specific songs. In his own words, here is Derek McCulloch's Book Notes music playlist for his graphic novel Displaced Persons: Previous contributors include Bret Easton Ellis, Kate Christensen, Kevin Brockmeier, George Pelecanos, Dana Spiotta, Amy Bloom, Aimee Bender, Myla Goldberg, Heidi Julavits, Hari Kunzru, and many others.ĭerek McCulloch's graphic novel Displaced Persons is an ambitious and wonderfully complex collection of three connected stories, each 30 years apart. In the Book Notes series, authors create and discuss a music playlist that relates in some way to their recently published book.
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